I’m rewatching inuyasha and have no one to talk to about the fact that Kagura should have lived and by doing so the entire Sessh/Rin weirdness could have been completely avoided. Like I have trouble picturing Kagura pregnant but that doesn’t mean it couldn’t happen and half the time in fairy tales of all locales the kids pop out of the dad’s migraine or some shit and honestly they’d also make amazing godparents (or whatever the equivalent is) to a half dozen adopted mortals and their bloodlines. I’m mad about it and commenting on ao3 fics for this fandom is like screaming into the void.
I have some very hot takes about the efficacy of the Sailor Scouts given exactly how much Tuxedo Mask does. This is why my ex-wife and kid, who only wanted to enjoy a magical girl show, stopped watching Sailor Moon around me (it had a good three or four beginning to end rewatches before that though).
I have some very hot takes about the efficacy of the Sailor Scouts given exactly how much Tuxedo Mask does.
How much he does? He throws a flower and talks.
There are so many times where the Scouts would straight-up die and/or Negaverse cronies would win the day if he didn’t show up, throw a flower and talk. Enough times to the point where I wondered “Hey, wtf is the message here exactly?”
The message is “we need a deus ex machina right about here.”
Yes, but in a show with major themes about women’s empowerment it’s a weird device to lean on that much.
The third season of Forever Knight completely ruined the show.
Picard<<Sisko
obviously
I wished that the Lost Boys got their spin-off the Lost Girls, would’ve liked to have seen how that materialized. Unfortunately with Joel Schumacher dead, we’ll never get to see that. Instead, we got awful direct-to-dvd sequels.
There’s sequels O.o
The Tribe and The Thirst.
And they are considered awful.
All the major character replacements on MASH were better than the characters they replaced. It’s not that I don’t like Burns and Blake, but Winchester and Potter were just so much more interesting. Trapper John was kind of a rapey creep even for the time, so there’s no question BJ was the winner there. Honestly as much as I love Radar, even Klinger taking over his position was an improvement. There was only so much more they could do with his Beaver Cleaver Goes to War shtick.
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Given how Serenity turned out, firefly’s cancellation was probably for the best, making the reavers the intentional by-product of alliance experiments completely destroyed the nuances of the factions in the war of independence.
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Inuyasha ran out of ideas 10-15 tankobon in, and Takahashi just kept milking it for the money.
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Every fandom that accepts the “x is for everyone” motto is accepting enshittification and casualization with open arms. Air and water are for everyone, even bread has people who dislike it, for something to be unique it necessarily will have haters. The right word is anyone.
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Archer had a bit of a dip when Adam Reed left the writing team but it recovered and had one of the best endings possible for a series that long lived.
I’ve just started rewatching Archer from the beginning. I loved it at the time, and I agree that it ended very well.
I hope Reed takes some time to contemplate another project to get passionate about, because I loved both Archer and Frisky Dingo.
making the reavers the intentional by-product of alliance experiments
They were the accidental by-products, so I think some nuance is still there for the factions, although still clearly the browncoats were in the right …
Right, I should’ve said “accidental byproduct of non-consensual experimentation on the population” but yeah, still beyond the pale.
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Zombies ate my neighbors needs a revival. A comical survival/horror game with a system that isn’t so convoluted and complicated that it’s limiting. Why do no survival games come with a usable tutorial to tell you how to do things in the game? It always just throws you into the game with 47 menus and you’re supposed to sus it out before dying.
I think it’s a cheap way to heighten the scary, to give you the feeling that you have no clue what you’re fucking doing but scary shit keeps happening.
I have a tangentially related thing. I got big into steampunk decades ago when it was still young. Back then, it was a maker culture, a loosely defined idea of cogs and boilers that gave you a fun little world to practice your craft in. It wasn’t just form, it was function. Hammering brass to make functional goggles, learning the Victorian techniques to whalebone corsets, clockwork to accomplish something we only do now with variable controllers.
Now I look for my people and I find a rusting husk of I knew. Gone are the color and texture, replaced by brown on brown in cotton and leather. Where once gears and cogs were carved to spin and move, now they serve only to be glued to cheap accessories. The gleaming promises of brass and copper and steel, userped by soulless luster of plastics.
We should Never have let the world in.
Maybe you could help a new generation learn the value of intentional steampunk :) bring some of the passion back to the hobby, as it sounds like many just accept it as presented. Share it as a “when I got into this, we made this shit” and how you did it. I might be wrong, but I’m weirdly confident you’ll eventually find a cross section of steampunks that would be interested in the creative element
It’s not quite the same as you describe, but I do carry the tenets of that old steampunk to my modern crafts. Right now I’m making an electric hurdy gurdy cello out of a broken guitar, a kitchen mixer, and 3d printed models of my own construction. If steampunk taught me anything it’s that anything worth doing is worth overdoing.
Steampunk then: What if we combined real Victorian craftsmanship and tech with imagined advanced machines.
Steampunk now: What if I glued two plastic gears to a cheap vinyl corset.
The biggest sin is when you see cheap plastic goggles with gears and spikes covering one eye. The point if goggles is to protect the eyes, not obscure your vision and carry your trash.
Relevant song: Just Glue Some Gears On It and Call It Strampunk
I’ll have to listen to this after work, but I already feel at home in the comments.
So it went the way of the modern world. It’s sad, really.
Too many beautiful sculptures melt under the scorching gaze of capitalism.
No that’s valid tbh. Genres are 100% a part of fandom. I always admired the steampunk aesthetic but never had the resources to get into it. I’ve loved the bits that overlap with stuff like stardust though!
I’m much the same. When I got into it, the brass goggles forum required you to hand make and chare your goggles to be a full member. By the time I had the skill to do that, the forum had died and the fandom was a tag on Etsy for dropshippers.
Community (2009): Annie was the (2nd) ass crack bandit and Abed took Troys cracking with a shocking amount of grace.
I just heard there’s going to be another Mega Man game. At this point I’m wondering if they have anything to contribute to modern platforming at all. By the time Shovel Knight came out new MM was already looking kind of tedious, and now compared to things like Gravity Circuit, what exactly is the point? Are we just going to reprise the gear system? Is there enough material in that for a whole game worth of new ideas?
Give me a new Mega Man X, please.
I’d really love to see MMX: Corrupted get finished. They seem to be doing new things within that space at least
when capcom were working with inti creates, they were reliably putting out good games at a time when indie developers weren’t - at least in that genre. now they put out one mediocre game every ten years.
And the fans are once again anticipating that it’ll be Mega Man Legends 3.
Look, Capcom has apparently made it known that they’re not interested. They’re either going to continue the classic line because reasons, make up a spin-off or make an entirely new Mega Man game.
I just want a Mega Man game where he goes from classic to X to bridge those series together.
And the fans are once again anticipating that it’ll be Mega Man Legends 3.
What do you mean? Capcom immediately announced it as classic Mega Man 12, and showed gameplay too, no one is expecting it to be Legends 3.
That would be enough!
As much as I enjoyed Firefly, the universe created was going to get very complicated and bad if it had been let to develop for the next few years.
They are going to have to explain a lot to justify that Confederate veterans deserved to be the heroes and I don’t think that Joss Whedon was up to that task.
The brown
shirtscoats?? I think the point was they weren’t actually the good guys. The show kinda hits you over the head with that. Mal (which literally means bad) is the main character who goes out of his way to associate with other bad people, and do bad things. The show paints the Alliance as evil but if anything they’re just authoritarian and they’re up to some shady shit but 90% of the interactions with the alliance, Mal is actively breaking the law and has a reason to be afraid of them other than the alliance being evil.The Alliance is a simple allegory for the US. The brown coats an obvious allegory for the Confederacy which happened to spawn a bunch of old West outlaws that we turned in to folk heroes. The entire James Younger gang were confederate soldiers or their siblings.
The show also hits viewers over the head that there are morals that the crew won’t cross, like stealing medicine from that town. It is also in the opening song that, because of the war and his service, Mal can’t exactly settle down and be a good law abiding citizen, so he takes jobs of dubious legality since they pay better.
Mal is the same kind of bad that Han Solo was painted as in Star Wars. He’s not a nice guy, but more neutral than evil and will perform good acts at times.
The show also played up the Alliance as being more absolutely evil because it had to in order to justify Mal.
There is an unreliable narrator happening here. The source of most of the information about the Alliance is from the crew. Notably, Shepard and Inara do not share those views. Zoe and Mal have very strong opinions about the alliance and the Doctor and River help feed that narrative. But the things they don’t say out loud paint a very different picture. I think had the show gone on, the brown coats would gradually have become another villain and Mal would have had to contend with the reality of who he was fighting for.
especially when it was giving southern us more than other types of wars for independence
I’m still salty that the season 2 ending cliffhanger of The Sarah Connor Chronicles never got to go anywhere.
Maybe a Quake movie can succeed where the Doom movies failed. Make Alan Ritchson Ranger and put Nine Inch Nails on the soundtrack. I could see Guillermo del Toro having a field day with it.
I’ll watch anything Alan Ritchson does. Dude is totally underrated as an actor just because he’s big and muscular. People act like he’s just a modern Sylvester stalone, but dudes got range and a great comedic ability. Sometimes overblown and blatant (blue mountain state, playdate) and sometimes subtle (titans, reacher), but he always hits the mark.
I suppose you think mega shark vs giant octopus was a “failure” too. I’d hate to live in such a picture of success.
You might enjoy Noah Gervais’ video called “Playing Quake For The Plot”.
Well, it was revived and I refuse to watch the revival, but for Tiny Toons Adventures ( revived as something like Toons Looniversity or something like that IIRC ), I rather strongly dislike how they removed Elmira and made Babs and Buster siblings.
I’m especially not for the Babs and Buster change because if that’s cannon to the original show by proxy of the reboot, that would make any moment where Babs and Buster have feelings for each other or the maybe episode or 2 where they go on a date have an extremely incestuous vibe.
As for Elmira, I love how over the top she is as an example of how not to be a pet owner. Or how not to babysit in the case of the one episode where she babysits for a no name, single episode family. Or how in the Spring Break special she gets either government or military help to capture Buster by giving them Harrison Ford, IIRC, with him trapped in a cage.
wtf? “no relation” is an anchor for a few episodes!
We need a continuation of High-school of the Dead
