Chippys_mittens@lemmy.world to Ask Lemmy@lemmy.world · 14 hours agoTo you, what makes a movie a GREAT movie?message-squaremessage-square33fedilinkarrow-up140arrow-down10
arrow-up140arrow-down1message-squareTo you, what makes a movie a GREAT movie?Chippys_mittens@lemmy.world to Ask Lemmy@lemmy.world · 14 hours agomessage-square33fedilink
minus-squareeightpix@lemmy.worldlinkfedilinkarrow-up2·edit-25 hours agoIt is difficult to get all of these in a single film. However: Art direction that makes you love design. Cinematography at such scale and intimacy that you love light, shadow, depth of field, and the rule of thirds Writing that makes you love language, references, and lived experiences Casting that extols the virtues of interpersonal chemistry Editing that forces you to feel pace, tone, and contemplation as the story demands A plot that twists, turns, and delivers a gut punch when you least expect it A twist-in-the-end that, on reflection (or re-watch), makes total sense. Compelling, developing characters responding to irresistible forces that wash through their being Murphy’s Laws in full force: failure is an option, main characters can die e: A true, hidden, and/or surprise villain whose perspective you can see and might even agree with. Good examples: Synecodoche, New York Michael Clayton Sicario Requiem For a Dream No Country for Old Men
It is difficult to get all of these in a single film.
However:
Art direction that makes you love design.
Cinematography at such scale and intimacy that you love light, shadow, depth of field, and the rule of thirds
Writing that makes you love language, references, and lived experiences
Casting that extols the virtues of interpersonal chemistry
Editing that forces you to feel pace, tone, and contemplation as the story demands
A plot that twists, turns, and delivers a gut punch when you least expect it
A twist-in-the-end that, on reflection (or re-watch), makes total sense.
Compelling, developing characters responding to irresistible forces that wash through their being
Murphy’s Laws in full force: failure is an option, main characters can die
e:
Good examples:
Synecodoche, New York
Michael Clayton
Sicario
Requiem For a Dream
No Country for Old Men