I have finished watching Star Trek Next Generation and Deep Space 9 following a friend’s recommendation. I enjoyed both shows and started watching the other one, Star Trek Voyager.
So far, I’m not finding it as enjoyable as the other two. I want to try to see it through the eyes of someone who enjoys the show, maybe it will also help me understand why it feels different somehow.
Voyager has more and good horror episodes, so if you like those you’ll like VOY. It’s best enjoyed an episode a day rather than binged. Put one on after work l, that’s how I watched it
I can’t speak for everyone of course, but as someone who genuinely was not fond of DS9 (not because of writing quality or anything like that, it was great for what it was in that regard.)
After DS9, Voyager had the audacity to try to be FUN again. It offered a really good mix of some serious episodes with some downright goofy episodes. For every “Year of Hell” or “Equinox”, you would get an episode where they were attacked by giant viruses, or a good old fashioned holodeck program goes haywire episode.
It wasn’t afraid to dive into Shlock after DS9 tried to be sooooo fucking serious.
To me, that was a breath of fresh air.
Also:
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Janeway is easily the best captain overall. She doesn’t give “Picard Speeches” like Stewart of course, but in every other aspect, her leadership is amazing throughout that series.
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Voyager 2 parters were usually epic. This of course comes from the fact that the CGI had come a long way from the TNG days, but with the exception of Best of Both Worlds, I’d put Year of Hell, Equinox and Scorpion ALL better than any other two parter from any other series.
If your comparison is to DS9 and you want “super serious” than yeah…of course Voyager isn’t going to be for you. But if you want something that isn’t afraid to be a little silly sometimes, Voyager is hella-fun.

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It depends on how far you’ve gone. Most Star Trek shows of the era took a while to get up to speed.
Voyager has a cadence similar to TNG except that the various species that Voyager interacts with changes over time. After the Kazon, the new species are better designed and fleshed out.
Seven of Nine is a far better designed character than Kes and the writing for her was so much better. It also seems like the show was able to identify the characters that could carry an episode.
Part of it is that Voyager has the unenviable role of being one of TNG’s two successor shows. The other was DS9, and everything looks bad sitting next to DS9. Part of why DS9 was able to do the wild things that it did was because the writing team had minimal supervision and were allowed to go buckwild- paramount were keeping a closer eye on first TNG, and then Voyager. Because of that, Voyager plays it safe and worships the status quo even when the fiction is begging to go in another direction, and the whole series has this feeling of having been written by committee. This even frustrated the writers, one of whom left the show out of frustration to go write the Battlestar Galactica reboot, which is essentially gritty, serialized Voyager
that said, I watched the whole thing and largely enjoyed it. you kind of have to meet it where it is, and accept that major plot details get glossed over and everyone takes turns holding the idiot ball. for me, the characters are what salvages the underwhelming plot. being a smaller ship, younger characters like Kim and Paris are able to be movers and shakers, giving the show a coming-of-age quality not found again until LDS and Progidy. Janeway is great when she’s not holding the idiot ball, it was really awesome seeing a captain who came up through science instead of command. When the blue or gold shirts give most captains a solution to a problem, they’re glad the problem it solved, but Janeway would get excited about the solution itself, sometimes even finishing Belana’s sentences.
Neelix had never so much as heard of starfleet, and had none of the training or skills even a crewman would need, but his good nature and see-a-need, fill-a-need ethos arguably makes him the most starfleet person on the boat. Kes is similar, with the added twist of dedicating herself to a voyage she won’t live to see the end of.
VOY spoilers
People say it was good that she left because there wasn’t much to do with her character, but to me that’s nonsense. Not being able to see her come to terms with her mortality and how that intersects with her psychic powers was easily the show’s biggest missed opportunity.
the doctor is an interesting inversion of the good idea/meh execution pattern because his concept is unremarkable- essentially a rehash of Data learning to be human, just accidentally and with sarcasm- but the execution was incredible. later on when 7of9 joins the cast, she displaces him as The Data but he remains a main character and takes on a mentorship role which allows him to develop even further
all in all, it’s a show full of then-new and brilliant ideas that regularly fumbles the execution. and that isn’t for everyone, especially with the plethora of other great trek out there. but if you watch it and are able to forgive the not great scenario writing you might enjoy it nonetheless
Part of why DS9 was able to do the wild things that it did was because the writing team had minimal supervision and were allowed to go buckwild
This does explain the high highs and the low lows.
Ironically, my definition of “the high highs” would be the lighter “hang out on the space station” episodes, and the “low lows” would be the grittier “Section 31 has let us bomb the shit out of civillians, go Prophet! Praise the
gods!wormhole aliens!” which I assume is the stuff that people praise for “realism and moral choices”.I didn’t know that bit about supervision. I didn’t check who the writers were, but even if they were the same, it makes sense that that would play a big role.
Far away from everything just needing to survive resonated with me and is a good concept. And at that time the 3d rendering wad a massive leap.
The content was a pretty mixed bad but with some good stuff. The missing reference to the directive all the time was a welcome change.
My favourite thing about Voyager is Seven of Nine, but she doesn’t debut until season 4
I cynically thought that she was just eye candy, but she could handle anything the writers threw at her. She’s a great character.
I hadn’t watched any Star Trek for years. Then, just yesterday, I was watching regular TV and this episode of Voyager came on. Me and my son watched it. It was the one where it turns out they’re all clones and basically, in the end, they all melt just before the real crew can help them. It was such a cool story, aided, in no small part, by a scene in a Jeffrey’s tube where 7 of 9 discusses monogamy with B’elanna.
I loved it when it was new, but I’m not sure I’d watch it now.
The idea I got from it was, it was supposed to be like a cross between The Next Generation, with a Starfleet ship exploring the unknown, and Deep Space Nine, with epic arcs as opposed to self-contained episodes. Essentially it seemed like they wanted another TNG but in the DS9 format. They also wanted to try having a female captain and I think they were going for that for a while. They gave us a Black captain and that went over well enough, so they were going with Roddenberry’s vision of inclusion and diversity. Not everyone agreed at the time, that a crew would follow a woman. Now it seems like it wouldn’t be a problem, but 30 years ago?
I liked the premise of being stuck in the Delta Quadrant trying to get home, until Janeway started refusing shortcuts to get the ship home during their lifetime. The episode “The Omega Directive” where she doomed a pre-warp civilisation to never being able to go to the stars made me dislike Janeway, though honestly the directive, which overrides the Prime Directive, was set up by Starfleet. She was just following orders. And the alternative would have been to allow a “competitor” to warp drive that would have made warp drive through that system impossible (due to the omega particles). The solution should have been to just teach them warp drive, but then the Prime Directive says you can’t do that, so she left them in the stone age or something. IMO the worst episode. That one everyone hates with the forced evolution? That was just dumb. Omega Directive had a lot of thought put into it and it ended up being stupid and a slap in the face to anyone who supported Starfleet.
I was kinda ace-leaning in my teens, so Seven’s outfit didn’t do much for me. Once I heard Jeri Ryan didn’t like the “cat suits” they put her in, I really started disliking how the show was being run. They did a similar thing to Mariana Sirtis (Troi) on Next Generation.
I always liked Neelix, too. I thought he was funny, and his self-appointed position as “morale officer” is where I saw myself if I were on the ship. Sure, we all wanted to be Chakotay or Tuvok or, more accurately Tom or Harry. We all (straight guys I mean) argued over who we wanted to be with, between Torres, Kes, Seven, and even Janeway herself (my pick). No one ever said they wanted to be Neelix. Nobody liked him. But Neelix was always my boy. And then when that kid showed up and he was helping her, and she was afraid of Seven and he showed her that there was nothing to be afraid of, that’s when I realised Neelix was me on the ship. So yeah, Neelix is kinda why I like Voyager. And Janeway. And Tuvok, because while Data was cool, he wasn’t quite Spock, and DS9 didn’t really have such a character. Odo maybe? Hardly. I think the “logical character” got shuffled between Dax, Odo, Kira, Bashir, O’Brien sometimes… there basically wasn’t one. I loved Tuvok though. Data’s his own character, but I liked the Vulcans better. So, much as I think I’d hang out with LaForge on the Ent-D, I felt that Voyager was more “my crew.” They were the misfits, and they made it work. They also felt the most like family to one another, IMO.
The show did have a lot of problems. I won’t argue against them. It also had Blink of an Eye which is easily a Top 5 Trek episode (along with DS9’s In the Pale Moonlight, TNG’s The Inner Light, TOS’s The City on the Edge of Forever, TNG’s Best of Both Worlds, TNG’s All Good Things, DS9’s The Visitor… which ones take the top 5 spots varies, but The Inner Light and In the Pale Moonlight stay in the top 3 always.
“Computer, delete that entire personal log.”
The concept of a lone ship without Federation support stuck far away from home is compelling. Throughout the series, they go through some shit.
The best episodes are when the pretty ship is just super-wrecked.
Year of Hell is one. The episode where they discover that the entire ship and crew are replicas and they’re slowly coming apart is another.
This is it for me as well. I’ve always been drawn to the concept of self-sufficiency.
Once Tuvix shows up as a regular cast member the show gets much better
I don’t know how to feel about this!
Yeah, that Tuvix episode turned me off to the entire franchise.
Once you get past the Kazon it gets more varied. The Kazon are just terrible and they drag the show down with them.
That being said, some of my personal favorite VOY episodes are in the first few seasons, they just don’t involve the Kazon.
Less Kazon, more Kes.
The kazon were so bad that the borg didn’t consider them worth assimilating, hahahahah.
After watching ds9 and doing the Voyager route I can say that I don’t remember shit about Voyager and I had to absolutely push myself through the entire series. Neelix is the fucking jar jar binks of the star trek universe…the last season I think I remember being the only redeeming quality otherwise you had this fetch quest npc asking you to get mushrooms for a soup.
I think Neelix gets the Jar Jar comparison because he’s an alien, but I believe there is a worse character on the show that no one ever talks about.
Tom Paris. I don’t understand how this guy is not more disliked by the fanbase. He’s the kind of person that would sleep in a racecar bed. Neelix is annoying, but every single scene with Tom is just so fucking awkward. He is a 9 year old in a star fleet officer’s body. He’d be tolerable as a side character, but as a main character he’s just so grating.
I’ll take Cooking with Neelix over Tom Paris pretending he’s Captain Proton.
I think DS9 was pretty developed already by the end of TNG, so once it started there wasn’t that much left to figure out. This can be seen by the TNG crew visiting DS9 towards the end. TNG, however, felt a little more uncertain in the first season in that the actors didn’t have their characters nailed down yet, and it shows.
I suspect that Voyager might be a bit more like TNG in this regard - the concept was a bit more uncertain when they started. However, it does improve massively as it moves on.
I for one really like the temporal war storyline. And 7of9 is a great addition even if the writers’ intent was mainly that of providing boobage.
The first season or two are rough. The Kazon stuff is just… Blah, imo. After that it picks up. The character development, I think, is the best part. Mostly the Doctor, if I’m being honest. Later when Seven joins, her character arc is great, too, and while she was definitely supposed to be sex appeal, her actress, Jeri Ryan, crushes it as a character and not just a sex symbol.
I’m guessing the whole Neelix thing is throwing you? He’s definitely incredibly grating, but he’ll weirdly grow on you as the show progresses.
In my opinion, it’s definitely the weakest of the three you mention, but it still has its merits. Even after we leave the Kazon stuff behind, you’ll get a one off episode here or there that just falls flat.
I’d suggest trying to power through a bit longer to see if you can pick up anything you start enjoying. And if not, there’s no shame in not finishing. Not every series hits for everyone and that’s okay.
I’m halfway through season 2. I am interested in seeing where they take some characters. I think your suggestion makes sense, I’ll give it a bit more time, especially considering some of the surprises in the comments below.
So far, I’m not finding it as enjoyable as the other two.
That’s 'cause it’s not.
It’s still good enough to be worth watching, though.









