Maybe, but they’re paying attention to the task of scanning items, running the register, and the customer at the front of the line. I don’t really think it’s reasonable to expect them to keep an eye on that moving target as well. I’ve seen the very thing happen: Loading my stuff on to the belt, trying to leave a space because there is no divider available, the cashier is busy concentrating on the other things they are doing and the customer in front of them (not me and my stuff), they grab the last item of the other person’s stuff, scan it and bag it, turn back to check for more stuff (by this time and while the cashier’s back is turned the void I’d left is gone because the belt doesn’t stop advancing until a divider or product blocks the sensor). They may not ever see a gap (only the next item to be scanned).

There’s no perfect solution here, but I don’t see any reason to heap any more responsibility or blame on to an overworked, underpaid, daily abused retail worker just trying to stay sane in one of the most soul crushing and mind-numbingly repetitive jobs I’ve ever known.

The belts usually move forward automatically, eliminating any space left intentionally between two groups of things on it once the first group has been removed from the belt.

A note about surge protectors: Make sure they are actually surge protectors and not just “power strips” that Amazon has mixed into the search results. Power strips are easy to find in many varieties, made by any number of fly-by-night companies; they’ll do nothing to help protect your stuff from power surges. Legitimate surge protectors from reputable companies are much less common. Also, they don’t last forever. An older surge protector may still work as a power strip, but over time they may become much less effective as surge protectors.

Hot take: Most metal is just Classical Music II Electric Bugaloo.

I’d ask a couple thousand people to guess in private. So the most popular answer would probably be either surprisingly close to correct or Cuppy McHazelnutface.

Same era, I used to playing games on my calculator. I suppose you still can, but I used to do it. I remember I had RISK on my TI-89, but the games on my TI-82 were on par with the version of snake shown in the post. We would even trade the games around with the kids that didn’t have a computer and/or Internet at home. We’d connect them with funky little cables that looked like audio jacks.

Wait till they hear about the people farming, harvesting, and shipping the vegetables.

Somebodies lying (or at least being deceptive). I checked the link. There’s no mention of 20 countries anywhere. Nobody said 20 countries here either. Setting that pedantry aside. In fact, even if it were used by significantly fewer than twenty countries, the ones that without a doubt do use them are spread around the globe. Thus, they are used globally.

David Byrne. Stop Making Sense

A fucking Members Only pizza.

1979: Ridley Scott directs “Alien”.

1981: James Cameron works as a production designer on a Roger Corman “cash-in” of Alien called “Galaxy of Terror”. It’s mostly awful (mostly due to the giant maggot rape scene), but some of the production design is WAY better than anything in this movie has any right to be.

1986: James Cameron directs “Aliens”.

I’m using the release years here as opposed to production for simplicity, but Aliens is really just a cash-in of a cash-in of Alien.

It’ll destroy all your painstakingly crafted and curated ID3 tags much faster than Picard. I’m not salty or anything. Anyway, the lesson for me was that music is simply too complicated from a library perspective to trust to highly-automated tools like beets. Picard kind of encourages you to go directory by directory and release by release, and that is a good thing. These days so are does most of the library stuff for newly added things, but I usually end up fixing it all basic to my standard with Picard later.

There was a scene in Braveheart we had to skip when we watched it in middle school. I’m sure many convinced their families to rent Braveheart from Blockbuster for “homework” later. At this point, I don’t even remember what the scene was. Maybe there was a penis? Probably it was just butts or boobs. The corpses and violence were of little concern.

There was that one time we watched a particular version of Romeo and Juliet and the teacher was delightfully inept at skipping scenes. That girl was barely older than most of us.

Conservatives really like the recycling myth because it puts the onus of waste on the individual consumer instead of the corporations actually producing the waste.

I have cable. It doesn’t really work like that anymore. I used to be able to click through ALL the basic cable channels, catching a frame or two of every single channel, with zero delay between channels, all within like under a minute. These days every channel change or menu selection has a built-in delay of at least a second or two. Channel surfing just doesn’t vibe the same anymore. That form of TV is mostly if not entirely dead.

Plexamp has gotten better lately. It can save your progress on audiobooks now. It’s a per library feature, so I have one library of music (that does not save progress) and one for audiobooks (that does save progress). I used to have trouble with some audiobook formats (M4Bs needed to be converted (really just renamed) to mp4s, but that wasn’t necessary for the last few I loaded. Plex still has a little trouble with standards around multiple authors and different productions (and different readers) of a single book, but that’s more of an ID3 tag problem and is resolved if you’re consistent in normalizing the tags on your library. I’ve also used the syncing features a bunch for offline time (like on a plane or on long trips). For a large library, I see syncing offline files as a necessary feature.

And before the Jellyfin fanboys chime in, if Jellyfin could match these audio and syncing features (and be easier to setup for access outside my LAN and sharing with family), I jump ship in a heartbeat.

Obviously Miles Davis is the only answer, but only while watching Elevator to the Gallows because he composed and performed the soundtrack. Otherwise I just listen to the thing I’m watching.

Yeah that was my first thought after getting over the weirdness of it, “How manageable is this hair going to be after getting home and later as it grows out?”

“pretty easy” is a bit of a stretch

Why not keep it simpler with one commandment:

Thou shalt not make a machine in the likeness of a human mind.